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Kraters are large, wide-mouthed vessels commonly used for mixing water and wine, although they also served a funerary function, either placed in a tomb or used as grave markers.

More than 1,500 vases are attributed to this artist, who worked in what is modern-day Apulia, Italy. The artist of this vase is known as the Baltimore Painter, taking his name from the location this piece, his most prominent work. While the two women at the base of the podium can be understood as mourners bringing gifts to the warrior’s grave, the other four could also be souls in the Underworld holding objects, such as the shaft of wheat, symbolic of rebirth. On the reverse is a warrior clothed in Campanian (southern Italy) clothing, seated in a naiskos (shrine) as six seated women gaze toward him. The theme of death repeats on the krater’s neck, showing a beautiful woman, perhaps the goddess Aphrodite, in a scene of apotheosis for the youth that accompanies her in the four-horsed chariot. The identities of the figures gathered around the outside of the structure are unclear, but perhaps they are dead souls in the Underworld.

Covered with figures and ornament, the centerpiece of this volute krater is the god Hermes–identified by his hat, caduceus and winged boots–who stands in a colonnaded structure before a seated woman, perhaps Persephone.

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